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BUTTER

Three of the men died in suspicious accidents, one of a drug overdose, another under a train, and another in a bathtub. Determined to score an interview with the assumed murderer, who is in a detention center awaiting a second trial, Rika overcomes the woman’s refusals by expressing great interest in food. To further gain her trust, Rika carries out the extreme assignments concocted by Kajimana, including having sex (with her droopy older boyfriend, as it turns out) before rushing out to consum

VOICE OF THE STRANGER

“You are entering strange territory,” remarks Schaller in a smart, sinister introduction that cautions readers that any stranger encountered “might be the Stranger”—or rather, the devil himself. Fourteen stories are offered here, many of which draw inspiration from fairy and folktales. In the opening story, “The Five Cigars of Abu Ali,” an old friend returns to tell a tale about his encounter with a genie while in Pakistan. Meanwhile, in “North of Lake Winnipesaukee,” the surviving wolf of a sl

SOMETHING MORE

The author writes that when he first attempted to grapple with the fact that his young daughter, Mackenzie, had a degenerative medical condition, he read the Book of Job. When he realized that he needed more than simply an account of unjust suffering, he says, he moved on to Ecclesiastes, noting that the book “doesn’t concern itself much with matters of salvation, heaven, or eternity. Ecclesiastes wants to know how to live now on this planet, even when conditions are less than ideal.” The Old T

OBSESSION

Tech billionaire Carl Novak is only just starting his own production company, so he has no reason to know that Billy Barnett, the producer of Storm’s Eye, is actually Teddy, a former CIA agent who also moonlights as Oscar-winning actor Mark Weldon. But it’s a lucky thing for him that Teddy’s on hand when Carl’s wife, Rebecca, is kidnapped by Croatian gang leader Zoran Janic, since Teddy’s even more at home hunting down vermin like Janic than he is in the Hollywood scene. Janic claims he’s holdi

FORCE OF NATURE

In 2004, celebrating her 50th birthday, the author, along with her best friend, Z, threw an “over-the-top party.” Only days later, Z was killed by a drunk driver. Attempting to come to terms with the loss, Griffin escaped to Yosemite, where she camped and read. There she found inspiration in the words of the Irish poet and philosopher John O’Donohue: “When the mind is festering with trouble or the heart torn, we can find healing among the silence of the mountains...” She felt the sudden desire

COLETTE

As part of Oxford University Press’ My Reading series, award-winning novelist, poet, memoirist, and playwright Roberts offers intimate reflections about her connection to Colette (1873-1954) by considering four texts that had particular significance for her: My Mother’s House, a prismatic memoir of linked stories; Break of Day, an autobiographical novel; Chéri, Colette’s famous tale of a seductive gigolo and his aging mistress; and The Rainy Moon, a novella that Roberts first read during a part

SHAPING HOPE

The author here notes many moments of grace in her life, starting with the way her mother accepted Manuel back into her home after she ran away from her baby’s father and took lodging in a vacant apartment. She sees grace in being lent a book by her mother that prompted a journey of financial independence. She recounts a time her mother negotiated a lease for a new restaurant without having to put any money down with the landlord—another instance of grace, according to Manuel. The author identi

MÈO AND BÉ

Nine-year-old Bé is happy in her village in South Vietnam, but with the war encroaching on their home, her father decides that it’s safer for her and her mother to move further north—to another village where he has another wife and five sons. Bé quickly realizes that their arrival is not welcome. Since she is her father’s only daughter, Bé’s new grandmother favors her, which infuriates her father’s first wife. To escape the latter’s abuse, Bé finds solace in a tiny kitten, Mèo, and it is Mèo wh

HOW TO THINK IMPOSSIBLY

Kripal holds the J. Newton Rayzor Chair in Philosophy and Religious Thought at Rice University, so it is his job to think outside the conventional box. In his latest book, following The Flip and The Superhumanities, the author interrogates the nature of consciousness, belief, even reality itself. His thesis is that the body of things considered impossible by the norms of rational thought and scientific inquiry is so large, when taken as a whole, that it should be placed at the center of discour

THE HORSE

“Please,” whispers Al Ward, “please give me the strength to pull the trigger and let it be over.” Al isn’t contemplating suicide. An old horse has wandered into the abandoned Nevada mining camp that Al calls home, and he wants to put it out of its misery. The camp belonged to his late great-uncle Mel, who mined it for years with no success. Al would stay there and dry out whenever the excesses of life as a journeyman guitarist and songwriter became too much. But now the horse, scarred and bleed

BREAKNECK

Supreme Court Justice Charlotte Morehouse visits Alaska for a conference and is invited to stay and see some of the sights. “My idea of wild adventure is a foreign film with subtitles,” muses a nervous law clerk. “What if something were to happen?” As bad luck would have it, Russian mobster Maxim Volkov bears a deep grudge against the justice. “My plan is simple,” he says. “Kill the bitch judge who let my Nina die.” The veteran of Penal Colony Number 6 has earned his nickname, Kostolom—Bone Bre

ACCOUNTABILITY

The author argues that fighting climate change requires acknowledging the true cost of products, practices, and decisions beyond their literal dollar value and ensuring that this full cost is borne by those responsible for it. The book advocates a revamped system of accounting that includes external costs, assigns a monetary value to indirect costs, and factors in the full value of natural resources and intangible inputs. While the focus is primarily on environmental implications, Bainbridge’s

HOPE IS THE THING WITH FEATHERS

In the first stanza of this poem, Dickinson calls hope “the thing with feathers”; she extends the metaphor by referring to hope perching and describes it singing “the tune without the words.” The second stanza leaves no doubt of the poet’s intent; here, she refers to hope as “the little bird.” Children who read or listen to the poem will understand that referent; whether they’ll comprehend the overall poem isn’t clear. Depicting birds and birdhouses, the illustrations won’t leave young readers’

THE CIVILIZATION

Kadsa Abasi’s Grandpa Edoje wants her to care as much as he does about finding his homeland; he’s searched across the continent of Africa for a way back. During their exploration of a cave in Chad, he at last finds a portal that will allow him to return to Marut. Grandpa Edoje, who’s said “she’d make a good godtalker,” gives Kadsa a large crystal. But Kadsa, whose father is dead, starts researching her mother—and she discovers troubling information that implicates her grandfather in the events

TEN TRIPS

The author addresses his skepticism of psychedelics, particularly the drugs’ efficacy as a treatment for trauma and the “relative lack of academic interest in the experiences themselves.” Of his first ayahuasca trip, he writes, “this is what real healing feels like.” In a chronological narrative, Mitchell records his experiences with psychedelic drugs in 10 locations in just over a month; before the final one, he writes, “it was becoming increasingly difficult to separate all the trips from all

SING BY THE BURYING GROUND

Boruch describes her 31 short essays as thoughts, “triggered by surprise,” that have collected into unexpected pools: “thought becoming thought in spite of what I may have predicted or never wanted really.” She gives much thought to poets such as Frost, Auden, Plath, Langston Hughes, Hart Crane, Elizabeth Bishop, and Seamus Heaney—a list appended to the essays cites many more. Her most lyrical pieces focus on the singularity of particular writers and on poems themselves: how, for example, “a so

ACTUALLY SUPER

When a depressed Isabel discovered Actually Super, an online community devoted to the theory that people with superhuman abilities exist, her mind was eased. Believing superheroes were out there fighting evil made her feel better about the world. Isabel plans to leave Dearborn, Michigan, behind and find them. Before she goes, she makes a pact with best friends Sam and Chío to meet in Mexico during their last spring break before heading to college. One year later, they’re waiting at the agreed-u

CLARA'S MAGIC GARDEN

When lonely, young Clara hears a bush whispering to her in the winter, the white girl happily collects its berries and holds onto them until they can be planted in the spring. Soon, she takes them to her hidden garden, where the plants and flowers are her friends. She plants the berries, waters them, and gets rewarded with a sprout. When the bush matures, Clara is delighted, but the garden’s other plants consider the newcomer dreadfully plain. Feeling sad, the bush asks the wise old walnut tree

SLAVERY AND THE AFRICAN AMERICAN STORY

In her exploration of how slavery has impacted the United States throughout its history, Williams Dockery begins her narrative before colonization. For example, in the early 16th century, African conquistador Juan Garrido traveled with Spanish explorer Juan Ponce de León in his search for gold in present-day Puerto Rico and Florida. The African slave trade became a point of fierce competition among Western European countries. Their economic ambitions initially led colonists to try to enslave In

THE DANGER FILES

Confirmed disaster fans will likely already be familiar with the examples Crowley Redding has chosen, but they’ll be pleased with her selection. The disasters vary widely in type and scope—the flu epidemic of 1918 killed roughly 50 million people worldwide, whereas 21 people died in Boston’s Great Molasses Flood of 1919—and for each catastrophe, the author includes a broad assortment of background facts and accounts of actual young survivors, such as Werner Franz, a cabin boy aboard the Hindenb