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NELL OF GUMBLING

In the magical world of Gumbling lives bespectacled 12-year-old Nell Starkeeper, her two younger siblings, and her star-farming parents, Dad and Pa. More than anything, aspiring artist Nell wants to be assigned as an apprentice to famous painter Wiz Bravo. However, when the apprenticeships are announced by teacher Ms. Garlic, she learns she’s been placed with formidable, dour Mrs. Birdneck, the Town Lorekeeper. Nell is averse to both Mrs. Birdneck and the lorekeeping archives, which are housed

WILL END IN FIRE

In 2019, twenty-something Eleanor “Ellie” Stone is staying in her childhood home in suburban New Jersey for the weekend with her younger brother, Josh. She’s there to keep him safe, since he’s a drug addict. They have an argument, and she leaves the house for about an hour; while she’s away, the family home suddenly catches fire, claiming Josh’s life and leaving Ellie grieving. Soon, she reconnects with her past: The trauma of going largely unnoticed by her mother, the hurt of being bullied by

IMPOSSIBLE JOURNEY

Private Nathan (Nat) Daniel Luck, the upbeat, first-person fictional narrator of the author’s retelling of Lewis and Clark’s two-year exploratory North American adventure, has finished his day’s work at their winter camp in the small village of Cahokia, Indiana Territory, where the members of the expedition have been preparing to head up the Mississippi as soon as the ice melts on the connecting Missouri River. Arriving at the local tavern, Nat spots his friend, Charles (Charlie) Floyd, waiting

THAT REMINDS ME

There’s a life packed inside the pages of this slim novel. One of Owusu’s most impressive achievements here is creating the space of a much larger life—both for the novel’s narrator, K, and for K’s family—through elliptical references. The prose is often stunning: “So now I breathe British air with airs akin to royal heirs—my mum thought she was making a dark life fair.” The first half is told in short vignettes, each a page or less, and even in the second half, the chapters remain brief. K spe

BATTLEFIELD CYBER

“Make no mistake, America’s adversaries are fully engaged in a cyber war,” write the authors, “and it is raging all around us.” This initially sounds like hyperbole, but as the narrative unfolds, it begins to seem like an understatement. McLaughlin is a former senior adviser for U.S. Cyber Command, where he was responsible for the coordination of Department of Defense counterintelligence operations in cyberspace, and Holstein is a journalist who specializes in technology and China. The authors

THE EVER-CHANGING EARTH

Following a distant glimpse of a small Asian child named Kûn pedaling through a modern landscape past outsize ghostly images of turbulent waters and immense prehistoric creatures, Baker-Smith rewinds to a view of the dinosaurs’ cataclysmic demise. He then goes further back to depict the massive interplanetary collision that produced our moon and, after millions of years of raging storms, led to the appearance of teeming life in unusual forms that evolved over eons into those of today. Meanwhile

THE LITTLE LOST LIBRARY

As the owner of Miracle Books, Nora Pennington occasionally offers shop-at-home services to her customers. In Lucille Wynter’s case, she takes it a step further, bringing books to the reclusive woman and sitting with her in her sparsely furnished “boot room,” where they share tea and Lorna Doones. When Lucille fails to appear one day, a worried Nora calls her, only to hear a faint “Help me. Please!” from Lucille’s landline. Following the instructions her boyfriend, Sheriff Grant McCabe, once ga

HOUSE OF BONE AND RAIN

After his mother, a low-level drug dealer named Maria, is shot in the face for encroaching on someone’s territory, her son, Bimbo, will stop at nothing to avenge her—including torturing and murdering people for information. Most of his close friends don’t want any part this. But after one of them, Xavier, is murdered and Gabe, the primary narrator of the book, barely escapes the killers, their outlook changes. Torn between loyalty to Bimbo and love of his girlfriend, Natalia, who tries to talk

COLETTE

As part of Oxford University Press’ My Reading series, award-winning novelist, poet, memoirist, and playwright Roberts offers intimate reflections about her connection to Colette (1873-1954) by considering four texts that had particular significance for her: My Mother’s House, a prismatic memoir of linked stories; Break of Day, an autobiographical novel; Chéri, Colette’s famous tale of a seductive gigolo and his aging mistress; and The Rainy Moon, a novella that Roberts first read during a part

NIGHT FOR DAY

Camille Buhay started dating Ward Dunbar when they were in college in Chicago. Though they were opposites, they were deliriously happy with each other—until they weren’t. Dissatisfied with what she took to be Ward’s entitlement and privilege, Camille moved to Manhattan. A short time later, Ward headed to Los Angeles. But distance didn’t heal their emotional wounds. When they both end up heading to London, where they’re interviewing for similar jobs selling art and antiques, neither knows the ot

IT'S MURDER, YOU BETCHA!

Doris Day Anderson is like many other 61-year-old women—aside from the fact that she recently solved a murder. Doris has sworn to put her nosy tendencies to rest ever since. However, when she takes an afternoon to go ice fishing with her sisters, Rose and Grace, Doris gets more than she bargained for when the trio reel in the leg of Lars Carlson, a fellow resident of Hallock, Minnesota and Rose’s boyfriend. When Rose requests that Doris find out if Lars was two-timing her with his ex, Etta, Dor

CALL ME ADAM

Louie lives in a tiny town in Northern Michigan and is considered by all, including himself, a lifelong loser. An out-of-work mechanic, he decides to kill himself, but he fails repeatedly; for reasons he cannot understand, he is immortal, a peculiar condition for a man who longs to end his own life. Even stranger is the fact that everyone else is dying—the world is engulfed by a flulike virus, a “biotic crisis” that’s mercilessly killing nearly every human in a mass extinction event, a horrifyi

THE KNIFE BEFORE CHRISTMAS

The star of the season is the Cliffs Hotel, a marvelous restored Victorian mansion overlooking the ocean. Building contractor Shannon Hammer and her crew are working on plans for a Christmas Fun Zone on the grounds highlighted by a carousel and of course Santa. Shannon is close to Bill and Lillian Garrison, who own the Cliffs, and their children, who all work there except for the eldest, Logan, who is in the Navy. Logan’s stunning but awful wife, Randi, is a close friend to Shannon’s archenemy,

DEADLY TO THE CORE

Still mourning the loss of her husband and healing from the car crash that took Brian’s life, Kate Mulligan is ready to turn the page. So when she inherits her great-uncle Stan’s orchard, she leaves her home in Pittsburgh for rural Orchardville. Working in a cidery has given her the tools she needs to turn Stan’s apples into cider, and watching Brian restore houses has taught her how to frame walls and build a bar and tasting room. But no one’s taught her how to solve crimes. So when Carl Rando

HOW TO CATCH SANTA CLAUS

Oddly, previous installments saw the children trying (and failing) to catch an elf and a reindeer, but both are easily captured in this story. Santa, however, is slippery. Tempted but not fooled by poinsettias, a good book (attached to a slingshot armed with a teddy bear projectile), and, of course, milk and cookies, Santa foils every plan. The hero in a red suit has a job to do. Presents must be placed, and lists must be checked. He has no time for traps and foolery (except if you’re the elf,

REAL TOADS, IMAGINARY GARDENS

For Rekdal, all poems, regardless of form or any other apparently defining feature, require individuals to pay “conscious attention to how [they] think about and use language.” Readers must therefore dispense with interpretations they may bring to a poem and instead become literary “detective[s].” To work toward that end, she dedicates each chapter to in-depth discussions of poetic elements—diction, rhyme, meter, etc.—and to what she calls “forensic” analyses of those elements that she accompli

SACRED MONEY

Most people probably wouldn’t use the adjective “sacred” when talking about money; for the author, that’s a problem. “Our society separates the inner, spiritual self and the outward world of money, economics, and finances,” laments Mitchell in her introduction. “Using our money, our resources, and our commitment to the Earth, we can bring this spiritual connection to our finances, and to our choices to help create a new world…” Raised to believe that women had little value outside of their trad

LIVING THE ASIAN CENTURY

A descendant of Hindu Sindhi people who left what became Pakistan during Partition, Mahbubani (b. 1948), author of The Great Convergence, was born in Singapore, where his father worked as a laborer. Often drunk and mired in gambling debts, his father was not a stable provider, and the author, his mother, and his sisters struggled to make ends meet. At the same time, they lived amicably among Malay, Chinese, and Muslim neighbors, as Singapore was an entrepreneurial hub fighting for independence

STRANGE SALLY DIAMOND

Sally’s father, a psychiatrist, diagnosed her as “socially deficient,” so although she’s 42, she’s always lived with him outside the small Irish village of Carricksheedy. He'd always said that she should “put [him] out with the trash” when he dies, so when it happens, she tries to burn his body in their incinerator. In the flurry of public attention that follows, ranging from concern about Sally’s ability to function on her own to outraged theories that she must have murdered her father and was

EVERYONE HERE IS LYING

After being dumped by his lover, William Wooler comes home to find Avery, his precocious, difficult 9-year-old daughter, alone in the kitchen when she’s supposed to be at choir practice. A confrontation ensues, and William leaves. Several hours later, it appears that Avery is missing. The police are immediately on the case, interviewing the family and the neighbors for information, but instead of providing clarity, each conversation seems to complicate the investigation. Why does it take Willia